Shadow World AI project – Kugor

One of the areas that AI like Chatgpt can excel is generating fantasy languages. Not just word emulation, but grammar rules. I’ve been playing around with expanding the vocabularies that have floated around Shadow World books since the original Iron Wind, with a focus on Iruaric and Kugor (the language of Dragonlords). I start with uploading the current available words from the Master Atlas to create a baseline for the AI to work from. Kugor was interesting since it seemed to relate to, or draw, from Norse or Scandanavian influences. I’d be curious if that was intentional on Terry’s part.

The following is a basic first run with a sampling of results:

Kugor

Kugor appears to have a rich tapestry of words, with distinct sounds and themes focused on power, nature, elements, and societal structures. We’ll create new words that reflect and extend these themes, ensuring they’re phonetically aligned with what you’ve shared.

Given the established vocabulary’s emphasis on strong consonant sounds (like “g,” “k,” “r,” and “b”), use of double vowels for emphasis, and thematic focus on elements, creatures, and societal roles, the new words will follow suit.

Nature and Environment

  • Storm – Raathuon
  • Volcano – Shaangarn
  • Iceberg – Raathkarn
  • River – Biarkael
  • Valley – Karnbrod
  • Meadow – Prykachaw
  • Sun – Utumkodur

Creatures and Beings

  • Wolf – Drayn
  • Eagle – Kodry
  • Serpent – Ssovalg
  • Giant – Hoerkarn
  • Witch – Womuulga
  • Wizard – Womawga

Societal and Conceptual

  • King – Folmgaak
  • Queen – Folmgaakur
  • Hero – Breyaalc
  • Villain – Gartgaath
  • Treasure – Utumwomul
  • Curse – Gaarkchaur

Objects and Artifacts

  • Sword – Daagutum
  • Shield – Aalkaed
  • Book – Cuivagak
  • Potion – Rúansig
  • Crown – Aedfolm
  • Jewel – Eanwomul

Actions and Properties

  • To Conquer – Druskarn
  • To Betray – Gartkraaw
  • To Celebrate – Brechaw
  • To Enchant – Womuulchort
  • To Discover – Uscurackarn
  • To Heal – Prykawomul

Additional Vocabulary Expansion

Natural World and Geography

  • Thunder – Raathlyyg
  • Lightning – Piriig
  • Forest Glade – Chawlocha
  • Ocean – Aactoskuur
  • Mountain Pass – Karnny
  • Volcanic Ash – Shaangdes

Creatures and Beings

  • Sea Monster – Aactosdrak
  • Mountain Spirit – Karnorg
  • Forest Guardian – Horlyalc
  • Sky Serpent – Awduussoi
  • Ancestral Ghost – Androskhomul

Societal Roles and Constructs

  • Chieftain – AWkanga
  • Sage – Fawshrydrul
  • Craftsman – Arxduleer
  • Emissary – Druulkaag
  • Rebel – Ordir

Concepts and Abstract Ideas

  • Oath – Kodulryt
  • Exile – Iirmord
  • Alliance – Chaaggagur
  • Ritual – Yhomechooth
  • Prophecy – Koduldrul

Objects and Artifacts

  • Rune Stone – Orguscurac
  • Heirloom Sword – Daagutumleer
  • Enchanted Cloak – Womuulain
  • Druidic Staff – Uscuractarmen
  • Ship’s Figurehead – Progaorg

Actions and States

  • To Envision – Piriidrul
  • To Enchant – Uscuracchort
  • To Forsake – Gartord
  • To Illuminate – Piriolias
  • To Reign – Kangaoran

I think this is an encouraging first step! AI tools will actually build rules around verb and adverb usage, conjugation, gender use and perspective. My own usage is around building a word toolkit that is phonetically related to the baseline and generating compound words and short phrasing. However, someone with a deeper understanding of language building could really run with this.

We’ve already been working on a central repository for non-commercial Shadow World artwork, it would also be helpful to create a wiki dictionary with expanded lexicon of the more prominent languages. I’m simultaneously working on Iruaric which I’ll post up next, but the Elven languages might be very interesting given Terry’s initial work in the Tolkien setting.

Again, as a disclaimer, I understand the concern and issues around AI generative material, but I also see powerful tools able to expand on Terry’s work without a disruption of canon.

Your thoughts?

Using AI for Shadow World: Demons of the Pales

I’ve been going through my various projects and generating and inserting quick artwork to capture the flavor and essence of persons, places and things. I’m a novice at AI generated art, and I completely understand the issues around using AI in commercial projects. This isn’t that. One of my major roadblocks for content creation is my limited art and floor plan skills–abilities that Terry had in spades (given his architectural/design background) and really drove the Shadow World aesthetic and narrative. I was tinkering with my “Book of the Pales”. I had excluded the descriptions of the main Demon types for copyright and IP issues, but I wanted to create include more accurate artwork. I’ve literally put 30 minutes of effort into these generations, but I think they work great!

A Pale I Demon with pale grey skin and the clump of wiry hair atop its large skull, wielding a club.

A Second Pale Demon in traditional line drawing. Needs some more work and the hands and feet need webbing!

The Demon of the Third Pale, capturing its towering, lithe form with dark grey coloring and huge, bat-like wings extending from its long arms.

A Fourth Pale Demon. I really like this–a very catlike and serpentine feel. One of my modules takes place on Charon and I utilize these Demons there in the tunnels…

Fifth Pale Demon. I like this–especially the technology touches with hints of the fusion of flesh and metal.

Using AI for Shadow World: Krylites

This illustration is showcasing its unique features like the giant grasshopper stance, powerful rear legs, blue-grey exoskeleton, and the distinctive head with insectile mandibles. The Krylite features the creature holding a lightning gun, further enhancing its alien warrior appearance.

Rolemaster, Rolemasterblog and the Future!

I was reading James recent blog over at Grognardia, and it made me think about the current state of this blog and what topics to write about in the future. While James has written more posts (orders of magnitude more), I’m currently sitting at 426 posts over the last 10 years. That’s not bad considering I’ve had lots of downtime and gaps in my output.

Also like James, it’s harder for me to find new material to discuss and/or I realize I’ve already written on the topic years ago. I always thought it was odd when someone would tell me they couldn’t remember how old they were (it tracks now that I’m in my 50’s), and it can also be difficult to remember what I blogged about five, eight or even ten years ago! I think I’ve mined some interesting angles with Rolemaster and Shadow World, but I’m not sure where else I can go with this. Inspiration will occur, but I suspect at a much slower rate.

So where does that leave us? RMU is finally out (mostly), Terry has passed leaving Shadow World indeterminate, TTRPG’s are as popular as they have ever been, and there are numerous channels to explore gaming topics. What conclusions can we draw from these basic observations:

  1. The environment is right to promote Rolemaster/RMU. The system is still one of the few “complex” systems for gamers looking for more verisimilitude. Just like in the early 80’s, players converted to Rolemaster for greater realism or grittiness. Those conditions still exist today–most games embrace simplicity and “rule lite’ structures; there will always be a need for complexity for maturing gamers. It’s a cycle. We need a blogger to cover RMU rules and issues.
  2. Shadow World is still a viable setting for Rolemaster and with a bit of tweeking, RMU. I’ll continue to focus on SW as my main blogging topic, and continue to produce material for that setting. I’m currently focusing on using AI tools to leverage that effort.
  3. In general we need more writers with other viewpoints, ideas and material to contribute to this blog. If you prefer long form over short tweets or discord give blogging a try. There isn’t much RM blogging out there, so it might be better to consolidate output into the Rolemasterblog?
  4. Overall we need to keep the Rolemaster flame lit. RMU has drawn new users and brought old users back. When they search the web they need to find a home, content or a community to engage. Basically there are 3 choices: Rolemaster Forums, Rolemasterblog and RM discord servers.

Sometimes it’s hard to gauge engagement when there is a lack of comments–so let me ask directly. What do you like to read about? Is there material or topics that we haven’t touched upon? Is there something we should focus on more? What material would you find more engaging or comfortable commenting or participating in?

Happy Easter from the Rolemasterblog!

From all of us here at the Rolemasterblog, happy holiday. And don’t forget that Rolemaster already has a holiday appropriate foe for your unsuspecting group to encounter: The Killer Rabbit.

Minor Enchanting in Shadow World

I recently finished my first pass through on the new RMU Treasure Law and was pleased to see the inclusion and continued concept of “Charms” in the book (Charm Creation p.182). I’ve written a bit about “Single Use” magic items, and I think they are a underappreciated and perhaps under developed type of magic in Rolemaster. I’m not sure if “Minor Enchantments” is the best name for this category of magic items because it implies these are relatively minor or weak spell effects. But on the contrary, powerful magics can be imbued into “minor” objects (thus the name): a feather, a semi-precious stone, a talon or something similar. There are a number of lists I would categorize as Minor Enchantments: Charms, Weapon or Armor Runes, etc, but they can be defined as the following:

  1. Easy embedding or creation process. These items don’t require multiple day/week/month investiture to create.
  2. 1 use. While you could have multiple charges in some, generally these charms are consumables–the item is destroyed when activated, or the effect is dispelled from the object.
  3. They are either “pro-active” or “re-active” items. Pro-active items could be candles that once lit activate whatever store magical potential exists. Re-active items are triggered when a certain condition is met: a certain spell is cast upon a wearer of a charm, a crit result during combat with a weapon rune etc.

I purposefully try to stay within Terry’s wheelhouse when creating spells or magic items for Shadow World, and Terry was guided by the original Spell Law. Early edition Rolemaster didn’t have weapon runes, simple imbedding or charm creation spell lists so they don’t exist in SW canon. (However, Terry never really used potions either). But I feel that Minor Enchanting is a great addition to Shadow World:

  1. It provides temporary magic items at low level that don’t unbalance the game.
  2. It fills the gap between a setting that needs a lot of Alchemists to create many items, to a setting where Minor Enchantments are more common and permanent magic items are rare and more valuable.
  3. Minor Enchantments are flexible and can be created specifically for a challenge, rather than a permanent ability in a magic item that isn’t needed or less appropriate for the moment.
  4. Protective Charms can mitigate some of the deadlier aspects of Rolemaster combat and crits without an arbitrary “reroll token” or similar.

In conclusion, Minor Enchantments can be a much more usable and functional magic than some of the cool but cumbersome spells that players will never really use. How many of you regular use this type of magic in your game?

Great Rolemaster Memories

I was reading this blog yesterday and it got me to thinking about the topic. Do I try and write adventures with “memorable situations” (cool setting, unique creatures or plot twists), or do great gaming memories derive from something else?

It wouldn’t surprise me if pop culture subtly influences GM when writing material. Shouldn’t an adventure or campaign be framed properly in narrative form, much like a movie script? With so many system specific and generic adventures, isn’t there a motivation to come up with a clever new take on an old idea? Do we try and wow our players with a new obstacle, trap, monster or puzzle?

We all play RPG’s for a variety of reasons, but one unifying experience we all share is a great memory of gameplay. Every player has a favorite memory and every GM can probably relate an equally memorable game incident. But when discussing this with my players and other Rolemaster games, those great memories weren’t necessarily derived from something unique introduced by the GM, or a specific challenge written into the adventure.

For me the one differentiator that Rolemaster enjoys compared to other systems, that comes up often, is the Open-Ended Roll and to a lesser extent Unmodified 66 and 100 results on critical tables. If you think about it, OE rolls are a baked in mechanic that guarantees amazing, some might say miraculous, results during gameplay. Rolling a “20” in D&D is nothing like rolling high open-ended. Over and over, I heard stories of the “Hail Mary” roll, the multiple OE and resulting critical that saved the party, defeated the baddie or allowed for a unusual success.

As a long time GM, I’ll occasionally put my “thumb on the scale” to assist the party, but nothing compares to a player rolling and hitting the “00” when the chips are down. That’s a serendipitous result I can’t write into the adventure and I enjoy it just as much as my players.

During the development of RMU there was a steady stream of suggestions and ideas to improve and streamline the ruleset, but one item that was considered sacrosanct was the crit charts. Despite the negative connotation of “chartmaster”, the majority of the RM community wanted to keep the crit charts! But if you were to dig down, I don’t think it was the charts themselves, but what they represented. Part of the random magic of Rolemaster. That’s what creates great gaming moments that are remembered fondly.

What’s your Rolemaster memory?

As a player did you beat the odds with a once in a lifetime dice roll?

As a GM did a once in a lifetime roll change the game situation radically or take the game in a completely new direction?

Spell Trees – Abandoning RM Lists

A lot of the frequenters of this blog have diverse approaches to their concepts of RPG magic. As we wait for RMU to become a finished product, I continue to struggle with the spell list approach to magic. Brian has written about the balance between thematic and mechanistic concepts in list design, so the model I’m currently reworking borrows heavily from HARP’s scaling system, using Rolemaster’s traditional spells.

Here’s a simple modification that can clean up what I consider to be a bloated, repetitive list system with something a little more streamlined.

Experimental character sheet using the Spell Tree model.
  1. A player spends DP to purchase ranks in a “tree”. A player’s skill in this tree determines their overall power in this particular branch of magic.
  2. A player then spends DP to purchase spells. Each spell on a tree has two numbers (X/Y) associated with them:
    • X is both the number of ranks required in the tree to cast the spell as well as the PP cost. It also determines how much a spell can be scaled. For example, if a Firebolt costs 6 PP to cast, and increasing the range costs an additional 3 PP, in order to cast a range-scaled Firebolt, the player needs 9 ranks in the spell tree to do so.
    • Y is the DP cost to purchase the spell. As currently designed, this number is half of X, rounded down.
  3. Several spells on each list have become Cantrips, which can be cast without a PP cost. The first two cantrips on a tree are free, but any cantrips after that cost 1 DP to learn. Many of these effects are relatively minor spells such as Heat Material, Ignite, and Projected Light. Here are some of the classics, with scaling options that essentially match the levels a traditional spell list would allow the effects:

These spell trees I’m using are a little broader in scope than lists, but players can pick and choose which spells they wish to purchase. For example, the Mage lists have been combined into three spell trees unified by concept: Energy Law (Fire & Light Law), Fluid Law (Air & Water Law), and Solid Law (Earth & Ice Law). Between the cost of developing ranks in the tree and purchasing spells, the cost of mastering all the spells is comparable to the traditional RM system.

None of this is particularly innovative if you are familiar with HARP, but I feel like this helps streamline the whole concept of spells. I have always felt that the RM system is a little “forced” in places and, even with the new RMU Spell Law, many (not all) of the spells that have been added to certain lists are simply fillers. Where am I going with this? In theory these trees can be expanded as needed. If you come up with a new spell, simply add it to the tree and assign it a level and cost.

I should note, that in using this system, I am also essentially “squishing” levels a bit in RMU. If you look at the spells from level 20-50, most of them are repeat versions of lower level spells: Mass, Lord, or True versions which essentially just add targets or range — this is now covered in the scaling options. Many of upper level effects I either omitted, or re-leveled down to 25th (I’m treating 25 as a new “soft” level cap, similar to the old level 50). I personally don’t feel like getting a level-50 spell like the ranger’s Dolphin Speed is a game-breaker at 25th level. Once characters hit level 25, they are pretty powerful already.

One side effect of this system is that if a character chooses to put two ranks into a tree each level, he can access higher level spells faster. However, this comes at the cost of ignoring other spell trees or areas where the character should be spending DP.

Any thoughts? I’m not sure if the explanations do the concept justice, but the more I look at the traditional layout of Spell Law some of the carryovers from the old system, the more this appeals to me.

—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—

Note: This revamped magic system also goes hand in hand with another modification I’m working on: Generalized and Specialty ranks. Characters can develop 1-2 ranks each level in a general skill set (such as Social) for a +3 bonus each rank which apply to all of the specialties with a skill, and then 1 rank each level into each specialty (Influence, Leadership, etc) for a +5 bonus. This makes characters more skilled in a general, but specializing is more cost-intensive.

More on this last concept in later posts, but I wanted to include it for the sake of seeing the direction I’m going in altering the core rules.

RMU and it’s implied setting.

[Disclaimer. I haven’t finished reading the RMU Core book and haven’t even started on Spell Law or Treasure Law, but I wanted to start the discussion and/or provoke some thought!]

Because RMU Creature Law has not been published yet, this post may be a a bit premature. We’ve blogged a lot about the relationship between game rules and the associated setting; mostly the “gap” between Rolemaster and Shadow World. Now that RMU is quickly becoming whole and fully formed I was wondering what the rules are implying to you about a setting? Professions, races, spells and now alchemy rules all inter-relate and drive a concept about a setting. To me, clearly it’s not Shadow World but neither is it a generic quasi medieval, European setting nor a Gygaxian ecosystem. We’ve always argued that a ruleset should have strong supporting adventure material. Maybe just adventures in the beginning, but ideally a world setting that matches the metaphysics of the magic system, a cultural history to support the races and economy, and a physical framework for adventuring. To me, RMU is not a dungeon delving system. But the rules should inspire the setting and the setting should support the rules…

My first setting impression that RMU invokes is a bit of a steampunk setting. Perhaps it’s the dabbler or the style of Treasure Companion that feels more tech than magic. I’m reminded of the the Ketty Jay setting: flying ships, a construct/golem, daemonist, ancient civilizations, magic and firearms.

I’ve included a few links to past posts, but I’m very interested in readers thoughts!!

Picture of the Day

This is Goa Gojah located in Indonesia. The cave features a screaming mouth as an entrance, and the monster’s face is surrounded by a sea of flames. I thought it was very “Tomb of Horrors” and always a reminder that there are real life inspirations for fantasy settings. (besides New Zealand in general)