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Character Stories

This is not about what you think it is going to be about.

The experience rules in RMU and in HARP offer experience for minor and major personal goals (HARP) or Minor, Moderate and Major personal events (RMU).

So as a GM how do you know when your players’ characters has achieved a personal goal or event? Where is the break point between Moderate and Major events (other than on page 107 of the beta rules). Will you remember to account for these or in the case of minor events can you even count all of these?

I know there are loads of alternative experience systems from count every PP used and hit taken to you level up when I tell you. I was recently very kindly given a copy of the 7th Sea Second Edition rules. 7th Sea is a game I really like but is worlds away from Rolemaster. There is almost no cross over between the two systems for example 7th Sea heroes can take out many thugs in a single turn but no attack is ever fatal. In RM if you faced six thugs at once on your own, whatever level you are you have to seriously consider the consequences of that one freak open ended attack and possible critical.

I said there is ‘almost’ no cross over. 7th Sea doesn’t have levels or experience points. Characters progress by being awarded skill increases or other bump ups in individual traits. What is interesting here though is the concept of Character Stories. So when you create your character you also create the start of a character story. Most of us already do this as part of our character back story. The difference here is that although there is a clear end goal, such as avenge your father’s death or clear your name, you only create the very first step or task to achieve that goal. So your story may be “Clear your name from a crime you didn’t commit” but step one is “find the name of your accuser”. So imagine this a just a title and a single bullet point below. During the role play you may well find the name of your accuser so then the next step is of course to find that man and question him. So now you have a second bullet point. The GM always has a clear idea of where each character is in their background stories, things that he or she can weave into the game session and from a RM point of view when Minor, Moderate and Major personal events have happened.

I think this is a really simple mechanism that brings together a method of making characters’ back stories really relevant the characters future, it helps the GM keep those stories straight and it dovetails nicely with the new experience rules.

I am never one to pass up a good idea when I see one! If you are interested in 7th Sea then there is a single volume core rulebook (just the sort of thing that RMU needs 🙂 ) on RPGnow for about $25.

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Knight Fall

Sorry for the delayed Sunday post, I was away competing all weekend and just too tired to write anything last night.

So this week’s 50 in 50 is Knight Fall, an encounter with a knight fallen on hard times.

Knight Fall sees the party encountering a knight whose family has fallen on hard times after backing the wrong side, losing lands and titles in the process. The knight, although still possessed of some honour, directed at those who work for him, is no longer a true knight as he has been pushed to breaking point and beyond. The characters will most likely encounter him as they search for highwaymen who have been operating in the area.

For more take a look at http://bit.ly/KnightFall

As a teaser the page layout of May’s Fanzine issue should be finished this week and will be released by the weekend.

 

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As requested, a solo primer!

I have so much to write about that I don’t know what to tackle first. There is lots of fun stuff I want to cover including some ideas I have stolen on character creation or should that be personality creation. I also now have the Dark Space book, this harks back to a discussion from last year on Rolemaster/Cthulhu.

In my Long Awaited Game post, Gabe Dybing asked about how I solo play. I did promise to elaborate on this and so here it is.

There will be a lot of asking you to imagine stuff as I go through this. You have to sort of see it as a thought experiment more than anything else. Solo play, I found, is harder than it looks when you first try it but with practice becomes much more fluid and easier to get into.

What solo play is NOT is test driving combats with you playing both sides. It also it does not really require you to randomly roll for rooms and corridors. There were rules for that in the back of the 1st Edition AD&D Dungeon Masters Guide. That is more Random Play as opposed to Solo Play.

I am not saying there won’t be combats but they will happen when the story leads up to that sort of encounter. You are both GM and Player and if you want to fight your way though hordes of barbarians then that will almost certainly happen.

So we are going to make two kinds of rolls during this. Some will be skill rolls using the skills on your character sheet and the rules in the book. When I Solo Play I tend towards much lighter rule sets than a full on, every companion, every skill and 37 house rules version of RM. I know this is the Rolemaster Blog but I guess most GMs have at least one shelf of games they have played once or never played. Solo Play lets you get those games out and dust them off, even if your players are die hard Tolkien worshippers you can still strap on some Kavlar and lock and load* your M16 and go kill something.

The other kind of roll are Solo Engine rolls. Solo Engine rolls act like the Magic 8 Ball in that it gives answers that you need to interpret. The most common question is the Yes/No question. Other open-ended questions tend to give more ‘cryptic’ answers that you then need to think of a logical interpretation for.

Before we start open this link in a new window or tab. You can completely ignore the Fudge Dice Roller in the top right corner, we don’t need that.

The other thing you will need is somewhere to keep notes. If I am at a computer I tend to use a bullet list. This serves a couple of purposes. Firstly, if you have made a choice and then double back to the same location it helps you keep your facts straight. Secondly, when picking up a game for a second or subsequent session it serves as a quick synopsis to bring you back up to speed.

So pick a favourite character of yours and imagine that they were locked in a cell in the dungeon of a keep. (Who, what, where and when are completely up to you.) Someone has arranged for your escape and you know that on the roof of the north tower a Griffin is waiting to carry you to freedom. You just need to get from dungeon to roof. So that is our opening scene if you will.

You need to imagine the character, the setting, the lighting, sounds and so on. What, if any, questions would you ask your GM if this was a traditional game? Are there any other prisoners? Are there any obvious steps up and out of the dungeon? Are there any guards?

So lets test those questions. How likely are is it that there are prisoners in a dungeon? If you have absolutely no intention of setting them free then you can just hand wave this and decide for yourself. If you actually want to know then you can ask the solo engine. I think it is likely so I click the ‘likely’ link under the Oracle (Yes/No Question) section.

I got a ‘No’ answer, but you probably got a different answer. If you got a ‘No but…’ there is no prisoner but there is something else relating to that. My first gut instinct said that there was a cell that was obviously in use but the door open and the prisoner was not there. Maybe they were being questioned? Your imagination could come up with some other explanation. If you got a ‘no’ like me then there simply were no prisoners. A ‘yes’ says there are prisoners, A ‘Yes and…” means that yes there are prisoners and also something else equally important, like someone you know? If you got that ‘Yes and…’ result your adventure could already have forked in a new and interesting path. Maybe you now have an NPC. An alternative Yes and… result could be that there are other prisoners and one of them stupidly tries to raise the alarm because they see you escaping. Again, that takes the story in a different direction.

You now know if there are prisoners or not. That is the reality but does your character need to make a perception roll to know if they are there? Is it dark in this dungeon? In my version I see it as flag stone floors, regular wall mounted lanterns, solid wooden doors with barred windows in each door into a cell. So I do not need a perception roll, there are no prisoners and going by sight. If your dungeon is different then you may make a perception roll. This can lead to there being prisoners there but you cannot see or hear them.

I would now make a note:

  • Are there prisoners? No.

So I am alone in this dungeon. The next most important questions are are there any guards and can I see or hear them. I think that the chances are likely and I will make a perception roll.

  • Are there guards? Yes.
  • Perception: 50 + 23 skill = fail

OK, so right now I think I am alone down here. I think my character knows the way out as he was awake when he was brought down here. I have no stalk & hide skill so just moving as quietly as I can I head towards the centre of the cell block. I know there was a guard post there.

  • Stalking skill 56 -18 skill = fail
  • Guard perception: 89 + 18 skill = 107 success.
  • A guard calls out “Halt! Who goes there?”

I really don’t want to get into a fight. Looking around I have two immediate questions, is there an empty cell I can duck into and is it unlocked?

  • Is there a cell I can hide in? No.

Damn, this must be a longer corridor.

  • Are the guards coming? “No, but…” I hear the alarm gong being struck (no need for a perception roll for that one).

OK so things are not going so well, the guards seem to know something is wrong and soon this place is going to be crawling with guards. I am guessing there are going to search cell to cell so hiding is not going to be  a long term solution. Scrabbling around I look for any small stones or loose bits of mortar and pick them up. Backing off I try cell doors until I find an unlocked one. If needs be I will retreat all the way back to my own cell.

  • Are there unlocked cells? Yes.

So I am lucky and I find a cell. I am going to try and fashion a makeshift sling as a weapon from the basic bedding in the cell.

  • Crafting Roll 93 + 38 skill = 131 success. This is a pretty rudimentary sling -10OB due to poor quality.

OK, so I am at least armed to some extent. I listen out for the approach of any guards.

  • Perception roll 47 + 23 +10 difficulty = 80.

I actually give myself a +10 here as I know I am completely alone here so any other noise is either a rat or guards and I don’t think the guards are going to be particularly stealthy. Total 80/Partial Success. I can hear the guards moving about but cannot guess the direction or distance.

* * *

So if you had followed that same introduction there are all sorts of places where your story could have diverged from mine. You may have an NPC with you, you could have made your perception rolls, the guards could have failed theirs. There may not have been any guards. That is an interesting point. If there are no guards, why? Maybe the person who engineered your escape also cleared the guards away. So who is this person? That sounds like a start of a plot right there. I took the idea of the Griffin from the Harpers from the Forgotten Realms, a semi secret organisation that are known to use Griffons as mounts. So that is another avenue of adventure.

Quite often Solo play produces a lot of loose ends that could easily lead to new adventures. “Does the tavern owner look pleased to see us? No. Does he look scared? Yes” Those two questions could spawn an entire adventure.

Many solo engines use a great many tables and die rolls. I like the automated ones like the page I linked to above. They make questions really fast to work through.

I only used the Oracle here. The complex question results are somewhat stranger. Imagine you reached the point where you can over hear what the guards are talking about. So we click the “Tell me now” link and it comes up with some thing like “seeking + social” So guard one is asking if his colleagues sister is still stepping out with that apprentice from the bakers? Maybe the result was “opposing + magical”. The guard is moaning about how he hates magicians, as far as he is concerned they should all be burned at the stake. As soon as you have that simple hint you can start to hang the start of a personality on the guards in the dungeon.

My log of my adventure so far looks like this.

  • Are there prisoners? No.
  • Are there guards? Yes.
  • Can I hear the guards? Perception: 50 + 23 skill = fail
  • Stalking skill 56 -18 skill = fail
  • Guard perception: 89 + 18 skill = 107 success.
  • A guard calls out “Halt! Who goes there?”
  • Is there a cell I can hide in? No.
  • Are the guards coming? “No, but…” I hear the alarm gong being struck (no need for a perception roll for that one).
  • Are there unlocked cells? Yes.
  • Can I make a sling? Crafting Roll 93 + 38 skill = 131 success. This is a pretty rudimentary sling -10OB due to poor quality.
  • Can I hear the guards coming? Perception roll 47 + 23 +10 difficulty = 80.

So that is the way I solo play. If you want to ask any more questions then post them below in the comments.

*I actually have no idea what lock and load actually means.

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Grosk’s Tavern

This week’s 50in50 is one with a printable battlemap or should I say battlemaps (plural). I think these add a great deal to the download as maps and floor plans are so easy to recycle that any GM should be able to make use of them.

It is also my understanding that this is one of Brian’s favourite 50in50 adventures. So please enjoy Grosk’s Tavern!

Grosk’s Tavern is an apparently former temple that has since been converted into a tavern for those who are down on their luck. The beer has absolutely nothing to recommend it but the clientele have an oddly military demeanour. For Grosk’s is actually a place to hire mercenaries and the tavern keeper is not just that either. Those starting a fight in the tavern may well regret it.

The adventure comes with two battlemaps, a 14″x24″ map of the tavern’s ground floor taking up six pages and a 21″x24″ map of the cellar taking up nine pages that can be printed out and assembled.

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Gaming Post Mortem

Well we had a fun and interesting weekend of gaming.

To start with I spent many more hours playing than GMing. That is something that hasn’t happened for several years. The consequence is that we got less done in my game that I had hoped.

I had wanted to emulate a long and fruitless search, resolve the searching and then mount a successful rescue at the correct location. The dream sequences worked for the first two days but then a combination of Guess (Communal Ways, 1st Level) and Dream I (Communal Ways, 4th Level) soon dispensed with the entire need for hunting up and down the forest.

In some ways this was a clever solution by the players, effective use of low level magic and it solved a potential problem. I could just shift some simple encounters from inside the forest to the edges where the characters were travelling and a that was that. We ended up leaving the game at the point where they are about to launch the rescue mission itself. They don’t know it but there is another encounter they are going to have first but my year of worrying if I could pull off the fruitless search was completely pointless.

From a playing point of view the adventure was a brilliant first adventure and introduced the new setting, a homebrew world where magic is incredibly common and there seems to be a forgotten ancient civilisation and a legacy of old technology.

I am playing a Lay Healer and despite the potentially second string nature of the profession I got fully stuck in with the rest of the team. It was interesting to see the characters go through several iterations of the best ‘marching order’ as we investigated a subterranean complex. For a fair portion of it I was in the role of second warrior. This is not exactly what I had expected!

Here is a little clip from my equipment list from the start of the adventure…

And what happens if you make the lay healer the second guy through the door after the knight!

I think I did enough to accumulate enough experience to gain 2nd level but I will have to wait until the autumn to find out.

There was plenty of fighting undead and healing the party, especially during combat where those few extra #hits made the difference between standing and fighting and hitting the deck.

We shall see…

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Gemsting Cave

This is one of the adventure ideas I had based around using a very specific creature, and a creature that doesn’t feature that often.

In Gemsting Cave, characters explore a cave once haunted by Gemstings – Giant Scorpions – which have now returned after many years.

The cave can be dangerous, as the Gemstings are able to climb on the walls and roof, attacking from three dimensions.

Gemsting Cave is meant to be a stand-alone combat encounter but has plenty of role play potential. I also liked the idea of attacking the players from all three dimensions!

Combine this adventure with one of many free cave system map makers you can find online and you have a full drop in location to use in your campaign. The Gemsting stats you can take straight out of Creature Law.

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The Long Awaited Game

This weekend I get to run my face to face game. The last session was nearly a year ago as the get together planned for the autumn last year was cancelled. In fact we wanted to meet up in the June and the September but neither of those weekends happened.

I am actually going to use one of our own 50 in 50 adventure outlines as an encounter, the cabin in the woods, and if you can remember back to 22nd of September last year I will finally get to throw my wicked witch at the characters.

I think these massive hiatuses (hiatusi? or just ‘gaps’) between game sessions, twelve months in this instance, are the main cause of our hack and slash game play.

The challenge facing me is that I need to create the impression that the characters are carrying out a long and fruitless search while making the game session exciting and engaging. The point of the fruitless search element is to make the end of the search feel like something of greater value. I don’t want them to walk into the forest, poke two leaves and then find the long lost ancient sword that has evaded legions of searchers for generations.

I also get to load up the characters with some useful single user magic items, some of which they will not know they are magical. Witches are great at making enchanted items and the BBEG this time is a wicked witch.

The only slight disappointment is that one player has had to drop out of the weekend due to a family crisis. These weekends are always best when the gang is all there. As a group we have now been gaming together for 34 years!

The final thing I am looking forward to is that I get to play as well. I have a 1st level Lay Healer called Otto. We are running around my GMs home brew world that so far appears to have a mix of fantasy and high tech elements. At least that is implied by the sliding doors and elevators we encountered in the first session.

Exciting times ahead!

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A Knightly Encounter

This weeks publication round up brings you the 25th instalment of our 50 in 50, so exactly half way. I will also highlight A Baker’s Dozen of Pieces of Lore by Neal Litherland.

A Knightly Encounter

In A Knightly Encounter, the characters will be halted in their travels by a group of knights who will pick a fight no matter what. There are a number of different reasons provided as to why they might fight and there are five knights in total, each of whom is described. The encounter pits characters against a dangerous d100 foe.

 

<oh how I wish we could write Rolemaster NPCs in place of d100 foe!>

A Baker’s Dozen of Pieces of Lore

This is a collection of thirteen different histories, legends and myths that can be used to add colour to a campaign. They describe people, places, items and events. They can be used as possible adventure and encounter hooks or simply to make a world seem more alive. The pieces of lore are not tied to any specific setting so they can be easily dropped into the majority of fantasy campaigns.

I picked out A Baker’s Dozen because this is one of Azukail’s supplements created using freelance writers. I was thinking along the lines of Azukail is Rolemaster-Friendly + Azukail has a growing stable of freelancer writers, therefore if we ever get a license from ICE then RolemasterBlog + Azukail is an increasingly strong proposition for writing supplements.

And talking of supplements…

I am realy busy this week, next weekend I have my face to face RMC gaming weekend (this is the game being run using RMC RAW). I get back on Sunday and then Monday morning I am going on a weeks riding holiday. Once that is over I have the fanzine to put together.

Once all of that is out of the way the very next thing on my ToDo list is the Nomikos Library. I have some technicalities like installing databases and configuring a new wordpress installation but I hope to have something ready to show and tell by the beginning of May.

Watch this space, as the cliche goes.

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Interview with Jonathan Dale RMU Dev

Today I have for you an interview with Jonathan Dale about the current state of RMU and I did my best to get the release date out of him but he was having none of it.

Peter: For those people who are not part of the RMU Beta test on the ICE Forum could you tell us how you came to join the RMU Dev Team?

JDale: The glib answer is that I posted too much in the playtest forums, and now here I am. That’s sort of true. ICE is currently made up of freelancers and people’s available time changes, and an open playtest is an exhausting process, especially at the beginning when the rules are still rough. Some of the team were not going to stay closely involved and that meant some new people had to be brought on board. Some of the team had told me they appreciated how, in my comments, I was looking at other people’s views, explaining my reasoning, and suggesting alternatives rather than just criticizing. I also had met with Matt Hanson at an RPG event at Jetpack Comics. Initially I was brought in to help Matt, and we did a sit-down session as well as conversing by email, but as his free time ran out, I ended up the lead on A&CL. I also did some work on Creature Law, mainly on the talents and updating the giant spreadsheet used to create the creatures, and Vlad is plugging away on updating the creatures themselves. Nicholas also brought in Graham Bott to do some work on Spell Law (which did not get changed very much) and Treasure Law (which got more changes, unsurprisingly since it had only been through one beta cycle).

Peter: It has always struck me that you come across as the voice of moderation, on the forums as least, especially when there are some very strongly held views. How much of Arms & Character Law would you say is ready to sign off and how much is still open to change given that most people are praying every day for the RMU Singularity?

JDale: A&CL is basically done. I could have signed off on it a while ago. It’s Creature Law that is taking time. That said, because of that delay, I’ve continued to make minor tweaks and adjustments to A&CL based on feedback, mostly improving wording for clarity. The current discussion of tactical movement is an extreme case of that, I actually have two versions of the manuscript, one each way.

Peter: The problem I have had with play testing was getting the players. I took me over a year to get my RM2 stalwarts to accept RMC. Going to RMU was rejected out of hand. I did find one new player but he comes and goes and we didn’t get to play much. You on the other hand seem to have several games on the go. Did you hit many problems at the game table with the new rules?

My player’s biggest complaint is that…

JDale: I still don’t get to play nearly as often as I’d like. I’ve been forced to fall back on playing a D&D game although the current plan is I will take over and launch another RMU game when that campaign ends later this year. In any case, I started my current (still-running) RMU game before joining the development team. I think my player’s biggest complaint is that I keep changing the rules on them as we go from update to update; I started that even before joining the dev team. We did run into many of the same issues others have mentioned on the forums, for example injury penalties were too high and too frequent (these have since been reduced), and damage was too low (this is being raised). We also converted our long-running (but not frequently meeting) RMSS game, in which I am a player not GM, and conversion is different from starting a new game. Some things go up, some things go down, there were some complaints about the latter but nobody complained about the reduced need for spell prep or their skills that went up. The biggest issue there was with the very different number of starting language ranks between the two editions, which we mostly dealt with by giving everyone 20 extra ranks.

Peter: I would like to ask about monsters. I know you are mainly working on A&CL but the foes we fight are an integral part of combat. When the Beta of Creature Law hit it was dramatically behind in its level of development in terms of presentation and it stirred up a hornets over the normalised creature stats. Is there a secret ‘new and improved’ creature law that the dev team are using that we haven’t had a chance to look at?

“…to a mere 286”

JDale: The core of Creature Law is in the talents and archetypes. The archetypes are basically a streamlined way of handling normal level progression, so the GM does not have to pick individual skills and stat gains when creating a creature. And the talents cover everything else. The archetypes have been slightly updated to take into account other changes but we did a lot of work to clarify the talents, remove redundancy, and make the costs more consistent. That reduced the number of talents and flaws to a mere 286. All of the talents now have full descriptions in the same style as those in A&CL. That required us to update the creature-building spreadsheet to take into account the changes. We also made changes to how movement rates were calculated, how hits are presented (e.g. larger creatures now have more hits rather than taking reduced damage), etc. So, the framework is definitely improved. And I have used it to create creatures for my campaign. But ultimately the books (it will be two volumes, not one) will also present more than 800 creatures that are ready to go; the creature stats all need to be updated based on those changes, and that’s what’s still in progress.

Peter: That is really good to hear, I was one of those people who moaned mightily about the normalised #hits for monsters.

So the thing I like the most about RMU is the skill system. RM2 skills by comparison are a nightmare of inconsistency with some skills giving different bonuses per rank depending on the skill, the costs had no continuity and even really important game mechanics being given buried in the skills descriptions; such as all flying manoeuvres being at -75 only  being mentioned in the Flying skill but not under the manoeuvring rules. RMU by comparison is really neat, skills give bonuses and expertise reduce penalties.

If you had to point to one thing in RMU that really stands out as an improvement or a problem solved what would it be?

JDale: That’s tough. I’m mostly coming from RMFRP, so the streamlined skill list and similar skills rules are a nice improvement from the skills and categories of the previous system. I can definitely see the improved organization and clarity being a big step from RM2, that’s why we switched to RMFRP in our group after all, and there was still room for improvement. The improvements to the attack tables are big in my opinion too. But as someone who enjoys worldbuilding, I was really excited to get tools for creating and customizing professions, races, cultures, and monsters. Those are super useful for me and I think will also be useful keeping everything working when the system expands with future Companion books.

Peter: OK, this will be a bit of a curved ball but I actually did a bit of research before asking to talk to you. So without looking in Creature Law, what OB would you give a starfish?

JDale:  Maybe I gotta keep clam about that. 🙂 I’m sure they’re awesome grapplers with a secondary acid critical… if you just sit there and wait for them.

The answer is 25T(3)gr ;25D(2)be (grapple and beak) but to my horror I discovered that the number encountered is 2d8(!) I play Rolemaster, I don’t own 2d8!

Peter: OK, one last question, and this one I know you cannot really answer, but you have seen more of the books in their present state, the working spreadsheets and so on. You have seen how they have been progressing over the past six months. If I had to press you, when do you think the singularity will happen, at least to the nearest month or season? Should I be putting RMU on my Christmas list?

JDale: Even after the singularity, there will be a round of proofreading, probably a round of fixes to the issues it reveals, and then art and layout. I have no idea how long that will take. I would love to have a copy in my hands this year, but no idea whether it will happen.

My thanks to Jonathan for spending the time to answer my questions and what I think was the coolest bit was that he signed off saying “I am off to go run our LARP for the weekend so thanks for the chat!” In my experience there are not many conversations you can drop the word LARP into and get away without some fairly long explanations. 🙂

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Capricorn One

Yes, you guessed it, the stupid title means it is one of my 50 in 50 adventure hooks.

Capricorn One is a “Can the heroes save the village?” adventure. For added fun as least some of the adventure is going to take place on water so it is a chance to prize your tanked up warriors out of their plate mail.

There are sea monsters, magic and deep water which probably makes it a warriors worst nightmare but jolly good fun to GM.